Due to the ongoing Coronavirus pandemic, examinations may be replaced by an alternative form of assessment during the academic year 2020/2021. Please refer to the Programme Specification on these pages for further details.
About the course
- BAFTA approved. BAFTA endorsement is a significant recognition of the industry focus of the course and means that you can be sure you will be studying on a course that has been recognised as fully industry-relevant by THE leading organisation in the sector. As stated on the BAFTA website, "The eligible courses have been identified by industry professionals as producing students ready to work in film, games or television".
- Develop a showreel demonstrating your creative talent in composing music and designing sound for a wide range of media (video, film, video games), opening up a 360º horizon of possibilities and opportunities for work.
- Collaborate with MA Film students in our School of Creative Arts.
- Learn in the university’s top-class facilities, assisted by tutors who are themselves industry professionals
BAFTA Scholarship Programme
If you are intending to apply to undertake this MSc, you may be eligible to apply for a British Academy of Film and Television Arts (BAFTA) Scholarship. The BAFTA Scholarship Programme offered talented individuals of any age - those of British nationality or Chinese nationals studying in the UK - a chance to receive up to £12,000 towards your annual tuition fees, mentoring by an industry professional, and free access to BAFTA events.
If you have any further questions contact the BAFTA scholarship programme directly on: email@example.com.
Why choose this course?
This course is conceived to meet the current industry’s demand for creative professionals who are equally versed in music composition as well as sound design, and can work effectively across a range of media – whether it’s video, narrative film or interactive games.
All aspects of the soundtrack are systematically explored in both linear and non-linear environments, leading to a fuller understanding of the discipline, of the industry, and of the production processes.
On this course, you will harness the whole gamut of sonic resources for your creative practice – from acoustic instruments to electroacoustic sound, utilising all the latest studio techniques and technologies.
You’ll study in the University’s top-class studios, supported by tutors who are experienced industry professionals, with potential to collaborate with students from our MA Film course.
With targeted sessions and expert guidance, you’ll develop a showreel demonstrating your creative talent in providing sound and music for a wide range of media (video, film, video games), opening up a 360º horizon of possibilities and opportunities for work.
Explore our Master of Sound Student Success blog to find out how our alumni have progressed since completing the course.
Assessment is conceived around real-life projects, allowing you to build a showreel of works demonstrating your creative talent in providing sound and music for a wide range of media. You will undertake the following portfolio projects:
1. Sound Design Practice 1
2. Sound Design Practice 2
3. Soundtrack to Narrative Film 1
4. Soundtrack to Narrative Film 2
5. Soundtrack to linear game-play footage
6. Interactive soundtrack to video games
7. Student project – this can be any substantial work related to this course of study. It gives you the opportunity either to specialise by delving deeper into one of the areas explored in the previous projects, or to expand further by exploring other areas of music-media interaction. Interdisciplinary collaborations are strongly encouraged and supported as far as possible.
• a large recording studio featuring a 32-fader Neve Genesys Black analogue mixing console (with Neve 1073 mic-preamps + 88R and 1084 EQ) / 64-channel Protools HD MADI system / PMC IB2S-A midflield monitors / Neumann surround monitoring / two racks of high-end analogue and digital outboard compression, EQ and effects (Neve, Focusrite, Drawmer, 1176, LA2A, Pultec) / UAD DSP processing with full suite of plug-ins.
• medium-size studio featuring a Neve Genesys / Protools HD system with RedNET and Neumann 5.1 monitoring.
• 4 x acoustically-treated, surround-equipped, iMAc mix/production spaces with Slate Raven Mti touchscreen control and REDNet, and Kawai acoustic pianos.
• 2 x live recording booth/spaces.
• 3 monitoring spaces for surround sound mixing.
• dubbing suite for A/V work (foley, ADR, etc.)
• 2 x 30 seat dual-monitor Apple iMac labs (each with a large range of s/w - including Logic, Ableton Live, Reason, ProTools, MaxMSP, Native Instruments Komplete, East West Composer Cloud)
• a 150-seats state-of-the-art performance venue with Soundcraft vi1 console and full RedNET integration.
• top class outboard including Digidesign Pro Tools, Lexicon TLAudio, TC Electronic, Focusrite, and so much more.
• vast selection of top-quality dynamic, condenser and ribbon microphones, including Soundfield, Neumann, AKG, Coles, Shure, Audio-Technica, Beyerdynamic.
What our students say
“The course is well structured, giving opportunities to explore the field of composition in a very broad way and also focus on particular areas of interest. I have genuinely found it exciting and inspiring to participate and I found the atmosphere just as I hoped: creative, relevant, stimulating, professional and fun.”
Nicola Hutchison, teacher at Hertfordshire College of Music and active multidisciplinary artist
"The MSc Composition course was a real eye-opener as to the many applications of composition, allowing me to produce work far beyond the realms of what I thought possible."
Chris Moorhead, freelance composer for media, and session player
It has been a life changing experience for me, and that is no overstatement. Your particularly vigorous and passionate dedication to cracking open our own personal artistic consciousness underpinned a revelatory roller coaster ride from which I learned and will continue to learn a great deal.
Alex Simler, instrumental teacher at Hertfordshire Music Services
What will I study?
- Splash Damage Videogame Company
- Videofeet Media Company
- Dynamic Music
- Extreme Music (Sony)
- Grand Chapel Studios
Industry guest speakers, composers, sound artists, sound designers, are invited to talk and advise on all aspects of the soundtrack and the professional engagement with the production process.
Recent guests have included sound design guru and film editor Walter Murch, choreographer Jane Turner, film composer Matt Backer, audio designer Josh Smith, and many more.
Lecture, seminars and tutorials are typically scheduled over two consecutive days a week, plus some extra sessions for particular workshops, performance, recording, as necessary. In addition to scheduled sessions, students are expected to engage in continuous self-directed study and studio practice.
The MSc Music and Sound for Film and Games is led by Dr Roberto Filoseta, a composer, sound artist and performer whose work spans the whole spectrum of acoustic and electroacoustic composition.
Roberto is highly experienced in soundtracks, A/V installation, contemporary dance and music-theatre and his works have been performed and published internationally. He has been teaching at the University since 2000 and as a Fellow of the Higher Education Academy, is committed to providing the highest quality of teaching and guidance.
Graduates from this programme will be ideally positioned to pursue a career in the thriving field of acoustic/electroacoustic composition and sound design for film, television, and interactive games. You may, in addition, consider positions in music publishing, music journalism and criticism, teaching or you may continue your higher education at doctoral level.
Sebastien Crossley graduated in 2010, and is currently composing for a new Channel 4 sitcom.
Nichola Hutchison graduated in 2011 and teaches composition at Hertfordshire College of Music. She is also active as a multidisciplinary artist creating A/V installations for galleries.
Chris Barn graduated in 2012 and is composing for the Channel 4 Random Acts series with renowned poet Benjamin Zephaniah.
Edward Abela graduated in 2013, and has composed for several short films for SABB productions, SMMusic Library, and Candie & Bell, amongst others.
2014 graduate Jamie Stonehouse is now working as an assistant composer and audio engineer at media company Urban Soul Orchestra, and has just been awarded a 3-year studentship for doctoral studies at Kent University.
Callum Judd graduated in 2015 and is working as a freelance composer for a variety of commercial projects, including a documentary on Japan.
Please note that some of the images and videos on our course pages may have been taken before social distancing rules in the UK came into force.