Due to the ongoing Coronavirus pandemic, examinations may be replaced by an alternative form of assessment during the academic year 2020/2021. Please refer to the Programme Specification on these pages for further details.
About the course
- Explore the most advanced studio techniques, technologies and processes at the forefront of current music production.
- Unleash your creative potential and cultivate your own individual style to produce original arrangements, mixes, re-mixes and mastering work.
- Deliver comprehensive solutions and support for live sound in a variety of performance settings.
- On this postgraduate degree you will create your own A/V interfaces, plug-ins, and programming codes.
Why choose this course?
Music and Sound Technology in Audio Engineering is designed to provide industry-relevant post-graduate education aimed at forming creative professional for the audio, production, and post-production industry, who wish to pursue careers as creative Audio Engineers within recording, production or live sound settings. Students take hands-on sessions in the University's state-of-the-art facilities, including a top-class SSL studio, guided by dedicated tutors with significant industry experience. The postgraduate curriculum covers all the most relevant and current skills of the field, and sessions and assessment are designed to reproduce, as far as possible and appropriate, the realities of the commercial environment.
We are one of the largest music department in the UK, offering a rich portfolio of forward-looking music programmes uniquely designed to develop the most relevant skills in the current industry. The environment is friendly and supportive, and students benefit from being part of a large community of creatives in all fields: from film, to new media, performance, and fine arts.
Our top-class facilities include:
• a large recording studio featuring a 32-fader Neve Genesys Black analogue mixing console (with Neve 1073 mic-preamps + 88R and 1084 EQ) / 64-channel Protools HD MADI system / PMC IB2S-A midflield monitors / Neumann surround monitoring / two racks of high-end analogue and digital outboard compression, EQ and effects (Neve, Focusrite, Drawmer, 1176, LA2A, Pultec) / UAD DSP processing with full suite of plug-ins.
• medium-size studio featuring a Neve Genesys / Protools HD system with RedNET and Neumann 5.1 monitoring.
• 4 x acoustically-treated, surround-equipped, iMAc mix/production spaces with Slate Raven Mti touchscreen control and REDNet, and Kawai acoustic pianos.
• 2 x live recording booth/spaces.
• 3 monitoring spaces for surround sound mixing.
• dubbing suite for A/V work (foley, ADR, etc.)
• 2 x 30 seat dual-monitor Apple iMac labs (each with a large range of s/w - including Logic, Ableton Live, Reason, ProTools, MaxMSP, Native Instruments Komplete, East West Composer Cloud)
• a 150-seats state-of-the-art performance venue with Soundcraft vi1 console and full RedNET integration.
• top class outboard including Digidesign Pro Tools, Lexicon TLAudio, TC Electronic, Focusrite, and so much more.
• vast selection of top-quality dynamic, condenser and ribbon microphones, including Soundfield, Neumann, AKG, Coles, Shure, Audio-Technica, Beyerdynamic.
What will I study?
Lecture, seminars and tutorials are typically scheduled over two consecutive days a week, plus some extra sessions for particular workshops, performance and recording. In addition to scheduled sessions, students are expected to engage in continuous self-directed study and studio practice.
When you graduate from these awards you will be ideally positioned to act as an interface between various music technologies and composers/producers. You may also consider a range of related positions such as lecturer, technical editor for music technology publications and other similar professions in the music industry or consider further study at doctoral level.
Please note that some of the images and videos on our course pages may have been taken before social distancing rules in the UK came into force.