The English Literature group has an outstanding record of hosting international academic conferences, attracting scholars from around the world, and reflecting the exciting diversity of our research. We make a point of including our students and the local community in our conferences, to encourage the creation and development of wider intellectual networks.
This exciting international conference, part of the Open Graves, Open Minds project was on the theme of the urban weird. The event included keynote speakers Professor Owen Davies and Dr Sam George from the University of Hertfordshire, and Dr Karl Bell (University of Portsmouth) and Dr Mikel Koven (University of Worcester). The conference also featured special events such as the Urban Weird Screening of Haxan: Witchcraft Through the Ages (Benjamin Christensen, 1922) and a Magical Cities Spectral St Albans Tour. Dr Ceri Houlbrook (University of Hertfordshire) led an Urban Weird Folklore Workshop. This workshop used a wide range of material – from the pens of antiquarians to local ballads and oral histories. It traced the history and folklore of Boggart Hole Clough, where today, still, ‘there lurks that strange elf’.
Full details about the Conference can be found at the Open Graves, Open Minds website
This conference, part of the Open Graves, Open Minds project, turned its attention to werewolves and shapeshifters. Such beings have served in narrative fiction to question what humanity is; weres tend to reveal the complex affinities and differences between our existence as linguistic, social subjects and our physiological continuity with other animals. They also draw our attention to questions of hierarchy and sexuality, to the instinctive, and to what extent our conceptions of these are ideological. This interdisciplinary conference explored human social existence and its animal substrate, and the intersection between the human and the wolfishly bestial as expressed in narrative media from a variety of epochs and cultures. Speakers examined the cultural significance of these themes in all their various manifestations. A highlight was a visit to a wolf sanctuary!
This two-day conference took place at the University of Hertfordshire and Knebworth House, home of the Victorian writer Edward Bulwer-Lytton. It brought together an international group of scholars working on life-writing, in its different manifestations, and the challenges posed by the study of Victorian and Edwardian figures from across the literary, theatrical, political and social scenes.
To celebrate the bicentenary of the publication of Jane Austen’s Pride and Prejudice, which is set in Hertfordshire, we hosted a three-day interdisciplinary conference to consider the ‘locations of Austen’. Jane Austen’s fiction is situated in a landscape both familiar and unknowable. It manages to evoke a strikingly detailed portrait of contemporary English geography and culture even while it remains, under closer scrutiny, fabricated. Participants at the conference considered how Austen’s work is located in its historical moment, and the implications of mapping Austen’s fictional settings onto real topographies of the English landscape.
Delegates at this symposium, hosted at the Keats House in Hampstead, London, investigated the most famous vampire narrative of all — Dracula. They interrogated its relationship to new developments in interdisciplinary research, drawing on nineteenth-century vampire archetypes. Dracula, of course, is the seminal vampire novel (though it has its antecedents); a gripping narrative that dramatises anxieties over sexuality, new technologies, foreignness, and modernity. Invited speakers will debate the evolution of Dracula from novel to theatre, film to comic book. The symposium boasts an innovative and exclusive programme of talks and discussions in the period setting of the house of Keats, who explored forbidden vampiric pleasures in his Lamia. Respects were paid to Stoker directly, with a trip to Golders Green Crematorium on the centenary of his death.
This inter-disciplinary conference explored science fiction in all its forms, both in popular culture and in the academy. Contributions from international scholars covered a diverse array of topics, ranging from classic exponents of the genre such as H.G. Wells, to more recent and lesser-known work in comics and graphic novels, science fiction film and television.
This conference launched the enormously successful, and ongoing, Open Graves, Open Minds project, co-led by Dr Sam George, Senior Lecturer in Literature. The aim of the conference was to relate the undead in literature, art, and other media to questions concerning gender, technology, consumption, and social change. It provided an interdisciplinary forum for the development of innovative and creative research and examined the undead in all their various manifestations and cultural meanings.