Music-making in the Hertfordshire Parish, 1760–1870
Author: Maggie Kilbey
“Though focussing on one small geographical area, it is no mere case study, for its comprehensive approach means that the author can draw conclusions that are valid for England as a whole. It should be a standard text on later 18th and earlier 19th century music making for many years to come. In the last issue of this magazine, I rated Henderson and Jarvis’s They fly forgotten… as six stars out of five; I am truly blessed to be able to do the same for Maggie Kilbey’s Music-making in the Hertfordshire Parish. It is an excellent read and deserves to be on the shelves of anyone interested in the cultural, liturgical, social and musical heritage of England.”
About the book
“Anyone with an interest in music, church social history, the education of singers and instrumentalists – in fact the music business in general, will find this book a mine of fascinating information. I read it from cover to cover with frequent smiles. Thank you, Dr Maggie Kilbey!” Ruth Jeavons, Herts Past & Present
“Maggie Kilbey has assembled a huge amount of information, and provides an extensive bibliography of primary and secondary sources, including parish records, census returns, the BOA and local directories, periodicals and newspapers. It is interesting to see that both Bevington and Flight, who provided many barrel organs for churches in the county, also published collections of printed tunes to go with their instruments. A companion volume covering the next century would be equally fascinating!” Richard Hobson, The British Institute of Organ Studies Reporter
The standard of congregational singing in mid-eighteenth-century parish churches was often in a parlous state, a situation viewed with alarm by many influential clergy and social commentators. In this authoritative study, Maggie Kilbey explores attempts to improve parochial music-making over the following century and the factors that played a part in their success or failure.
Using Hertfordshire as a basis, original research by this respected author and historian uses a wide range of documentary evidence to reveal a complicated picture of influence and interaction between the gentry, clergymen and their parishioners.
Her innovative approach to the social history of church music-making sheds light on interactions between militia and church bands, singers, organists, the role of charity school children and the use of barrel organs.
Because of its proximity to London, Hertfordshire was particularly attractive to elites with an interest in the capital, and fell under the influence of metropolitan music-making more readily than less accessible parts of England.
The involvement of both fashion-conscious and socially aware gentry was mirrored by those further down the social scale, and formed part of a complex pattern of support for church music-making.
ISBN: 978-1-912260-26-3 Format: Paperback, 304pp Published: Oct 2020
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