Volume 2
Peer-reviewed papers from the Research into Practice conference 2002.
The concept of knowledge in art and design
Invited papers
- Michael Biggs – Editorial: the concept of knowledge in art and design
- Andrew Harrison – Shared judgements: thinking for yourself, thinking from the standpoint of everyone else, and being consistent
- Norma Starszakowna – The concept of knowledge
Selected papers
- Stephen Awoniyi – Premises for a question about memory
- Neil Brown – The concealment of reality in the practice of design
- Clive Cazeaux – Art and knowledge in Kant's aesthetics
- Nancy de Freitas – Towards a definition of studio documentation: working tool and transparent record
- Jacqueline Gothe – Finding other ways of speaking: towards visual communication as practice based research
- Mike King – From Max Ernst to Ernst Mach: epistemology in art and science
- Grete Refsum – Bête comme un peintre? Contribution to an understanding of the knowledge base in the field of visual arts
- Linden Reilly – An alternative model of 'knowledge' for the arts
- Keith Russell – Why the culture of academic rigour matters to design research: or, putting your foot into the same mouth twice
- Stephen Scrivener – The art object does not embody a form of knowledge
- Lars-Henrik Ståhl – Modified knowledge in the field of architecture
- Jan Verwijnen – Knowledge central to the generation of form
- Jenny Wolmark and Eleanor Gates-Stuart - Research as cultural practice
- Ching-Chiuan Yen, Martin Woolley and Kuo-Jung Hsieh - Action case research: a method for the accumulation of design theory/practice knowledge in practice