Film
Film is a fascinating aspect of culture to study. Consider the content of the films you watch; why do you watch particular films? Who tends to star in the films that interest you? What filmmaker or genres are you interested in and why?
For those of you interested in cultural studies, journalism, psychology, economics, history, this critical and theoretical approach to film studies is essential. Film is not just about watching films (though you do get to see many interesting and unusual examples); it is about analysing and evaluating their content and construction. It is about considering the practice of filmmaking and seeing this process in relation to its historical and cultural heritage. Your journey through film analysis here at the University of Hertfordshire will encourage you to evaluate how relationships are formed within narratives and to address how the gap between the narrative world and the viewer is utilised.
Starting with an Introduction to Film Studies, the course begins by acknowledging the impact of tastes, concerns, fears and interests in relation to the history of film. It also addresses cultural concerns at both the moment of production and subsequent points of reception over the decades. It addresses the development of the medium and evaluates its contribution to culture. Starting with David Lynch's Mulholland Drive the course addresses how film 'makes meaning' and evaluates the order of the filmed narrative, not only in relation to this film but many others.
The aim of the course is to equip you with the terminology needed to engage in a scholarly analysis of the subject area. It will also provide you with the opportunity to work with others in class debates and discussions. The intended outcome is that you learn how to create and defend a reasoned critical analysis as well as test the solidity of your own ideas and observations as you present them to others. Remember- the films you choose to watch reveals a great deal about you from your tastes, fears and interests to your aspirations and social class. The films you choose also influence the type of film projects that get funded in the future - a particularly popular film often having its success emulated in a different version. Consider the number of sequels and remakes you are familiar with or the various incarnations of a popular character i.e. James Bond, Batman, Dracula, etc.
In order to engage in a detailed analysis you will be encouraged to consider the content and construction not only of films you may already be familiar with, but also to consider the historic, artistic, institutional and commercial sensibilities of the filmmaking process; this may include a study of European cinema, propaganda and film stars. If you're interested in film then this area of study is a must.
